Friday, February 8, 2019

The Impact of the Electric Guitar on Music Essay -- Exploratory Essays

The Impact of the Electric Guitar on Music Everyone has moments when they feel as if they watch found the wrong place. Now, it was time for one young gentle small-arm to touch on in one of these moments. A salesman had an appointment for a meeting with a wealthy man, yet he found himself wondering if he had arrived at the correct office. This was supposed to be a millionaires office, yet as he looked around the room, he saw no leather couches or expensive desks. In fact, the room was sparsely furnished, and had no carpeting. There was a desk, a rather common one that was too cluttered with blueprints and motley papers to recognize, anyway. Also cluttered, a metal bookcase was in the corner, covered with speaker unit parts and catalogues. This enormously wealthy man even saved a disposable Styrofoam cup, which was sitting on his desk with his name labeled on it. until now hoping to find the owner, the salesman peeked in a back room, where he found cypher but d ust, drills and punch presses. The man exclaimed, Maybe it was the room down the sign as he turned around. With this turn he bumped into the father of the solid-body galvanical automobile guitar and the man he had been looking for. Mr. Fender then responded with a whole-hearted, push aside I help you? (Wheeler, 1982, pp. 42-43). The sought after executive was a man named Clarence Leo Fender, who was responsible for the first successful mass marketing of the solid-body electric guitar. However, it was an innovation that came after people were already using the electric guitar. For days before Fenders success began in 1948, hollow-body electric guitars had been produced and apply by top names in the guitar business, such as Lonnie Johnson, Eddie Lang, and screen L... ... in American life. Smithsonian Productions. Retrieved December 21, 2001, from http//www.si.edu/sp/onair/guitar1.htm.Mongan, N. (1983). The history of the guitar in jazz. New York Oak.Pareles , J. (2000, November 12). The mean instrument that conquered the world. New York Times, p. 1, sec. 2.Romana, H., Gustafson, G., Purse, B., & Daft, M. (1998, March). Guitar Past, present and future. Music Educators Journal, 5, 84. Retrieved December 18, 2001 from EBSCOhost Database.Thompson, A., Levy, A., Ellis, A., & Fox, D. (1998, December). Legends of the Paul. Guitar Player, 32, 106-123. Retrieved January 4, 2002, from Proquest Database.Waksman, S. (n.d.). Instruments of desire The electric guitar and the shaping of musical experience. Cambridge Harvard.Wheeler, T. (1982). American guitars An illustrated history. New York Harper.

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