Gender Stereotypes in Gary Winick’s Bride Wars Essay

2009 has not just now been a fruitful yearso farfor the American filmmaking industry, at least in terms of quality and originality. If the latter part of 2008, as in close years, was marked by the release of some of the some memorable films in history, the first four months of 2009 have mostly made-for-children movies, wild-eyed comedies, and guy-bonding flicks. Bride Wars is a relatively superficial bind on wo handss obsession with weddings, and is currently ranked at number nine in the cite of top-grossing films worldwide.Directed by Gary Winick and starring Anne Hathaway and Kate Hudson, Bride Wars narrates the vitalitylong friendship of Emma and Livwomen in their mid-20s who, as new-fangled girls, made plans for almost identical weddings. When they hire the alike(p) wedding planner who schedules them two on the same time, day, and venue, the conflict begins and the wars take place. A series of impossible schemes hatched by each to hinder the others plans ensues, yet u ltimately end in glad endings for both.Despite its arguable shallowness and lack of believability, Bride Wars may still be evaluated according to specific themes inherent in the tidings of the female head word conforming to cultural and tender traditions, particularly in terms of sexuality roles and expectations. The pivotal exposure is revealed at the very beginning of the film, as the young Emma and Liv are essayn with their respective mothers at The Plaza Hotel, an upscale positioning for weddings.They both witness a newly-married couplethe groom looking spiffy in a suit and the bride in an exquisite gownin a moment of utter romance and love this singular token drives both girls to make a p spiel to have their own weddings in the same place. merely more than the desire to be wed at The Plaza, the most notable element in this scene is the accepted level(p) expectednotion of marriage, without essentially considering the function of the process as a partnership.By being p resented with an image that fully conforms to the traditional concept of women and their social roles, the young girls immediately associate this with their own goals and ambitions. Though later scenes show how they both pursued their individual interestspublic relations for Liv and principle for Emmait is apparent how getting married is still their priority. The concept of marriage in this film is limited to the actual wedding, with a few flimsy forays into the discussion of sharing a life with another person.That first image do the boundaries of the ideology chosen by the filmmaker, as evidenced by the unreal treatment accorded to it it sends the message of perfection and idealism as befitting women by being a bride. After all the events that had taken place, Emma and Liv kept their friendship and even resulted in Emma marrying Liz brother Nate. Unsurprisingly, the last scene proven to be the answer to the firstwith the two women meeting after their honeymoons, and bring out that they were both pregnant.It is evident how this scene was meant to provide the punchline to the film, leaving its audience assuming that the same war would take place later. However, it also reinforces the established parameters designate by weddings, since pregnancy and giving birth is the traditional next ill-treat after the union. The happy occasion of revelation and re tie exhibits the place of childbirth in the context of the female role, yet it fails again to make any rail line regarding the personal significance of bearing children.Bride Wars, though peppered with pup culture references and modernistic concepts, is centuries behind in terms of gender issues and breaking free from stereotypes. unfounded romances and comedies are not strictly confined to such(prenominal) superficial subjects, which shows wherefore Bride Wars is a film alone meant for commercial objectives. How We Think, Speak, and Feel An Understanding of gay Behavior in Three Films Visitors from a nother planet are perchance the best test subjects for the assessment of texts, particularly films.Since cinema is a flick of human behavior and portrays concepts garnered from human experience, having extraterrestrials view films devoted that they understand the addresswill allow them to achieve a sense of what and how valet are. rather than take them through a historical representation of human life through films, it would be best to introduce them to the inherent traits found in most culturesthrough intelligence, language, and psychology. The three films that may be able to snuff it these are A charming Mind for intelligence, When elicit Met Sally for language, and head for psychology and its permutations.Ron Howards 2001 film A Beautiful Mind is establish on the life of gifted scientist and mathematician John Forbes Nash, and narrates his journey into schizophrenia and depression. But the film is also a real-life fib of a man given an extraordinary amount of talent, w hich shows the extent to which the human mind can progress. This education would be essential to the extraterrestrial visitors, for it will let them know how humans think whether it reveals similarities or not is the ultimate goal of the exercise.Since Nashs expertness is in numbers and formulas, logic is the knowledge represented in the film, which may be more universal compared to politics, economics, or other contextual topics. In the film, Nash is shown as having his own world apart from the people around him, only surrounding himself with equations and other methods pertaining to scientific and explainable phenomena. This is clearly presented in the scene where he writes his formulas on a glass window, consumed by the process and superior(predicate) by his environment.Seeing a human engage in such intellectual activity may inform extraterrestrials of the workings of the human mind, specifically this advanced depiction of thinking processes. On top of that, Nashs account of se eing UFOs and aliens may appear to be a point of connection with this particular audience, as it shows how human validate their existence. The 2008 film Doubt, directed by John Patrick Shanley, is set in a Catholic Church in New York in 1964. During this time, the notions of faith and religion were primarily dictated by priestsportrayed as almost immortal beings who could do no wrong.However, assumptions near the unusual behavior of Father Flynn, the parish priest, were made by the nuns tasked to care for and educate the children in the school run by the church. The result was doubt in authority and in the general power of organized religion, and eventually in the faith of the nuns in their chosen vocation. Introducing the alien guests to these concepts will acquaint them with the analyzable values and traditions of humans, which are directly associated with the idea of faith in a Higher Being.The image of Father Flynn is meant to symbolize faith itself, and accusing him of unco nventional behaviorin this case, an illicit relationship with a young boyshows how humans are capable of acting against established rules. What the aliens may glean from this could be the debate between the human need for something to believe in, whether seen or unseen, and the alternative human quality of logical analysis based on observable phenomena. When Harry Met Sally, released in 1989 and directed by Nora Ephron, is one of the most effective portrayals of the differences between men and women.Language is one of the issues illustrated by the film, and it would upbeat the extraterrestrials to see how men and women think and express themselves differently. The film narrates the friendship of Harry and Sally, which eventually ended in romance after years of seek to keep it platonic. The iconic scene where Harry and Sally are in a restaurant arguing over sexual attitudes of men and women reveals both mindset and language, as their discussion is progressed by their opposing view s and the final act of Sally faking an orgasm.Aliens and non-humans will find this portrayal extremely significant, for it almost shows how men and women are of different life forms as well. It also illustrates the mating habits of both men and women, which may be similar to their own. These three films will by all odds equip the extraterrestrials with enough information and knowledge to guide them toward a best understanding of human behavior.But while these films tackle some of the staple fiber realities present in most societies all over the world, more entangled conceptssuch as war and povertycan only be understood after fully comprehending the abilities and capacities of humans, since these are effects of a conduct use of innate human traits. References Ephron, N. (Dir. ) (1989). When Harry Met Sally. Columbia Pictures. Howard, R. (Dir. ) (2001). A Beautiful Mind. Universal Pictures. Shanley, J. P. (Dir. ) (2008). Doubt. Miramax Films. Winick, G. (Dir. ) (2009). Bride Wars . 20th Century Fox.